Revolutionary Revelry: Transformation, Circuitous Paths, Innovations, and Circularity
© Dr. Jeanne I. Lakatos, Ph.D.
"Let all your things be done in Love." (1 Corinthians 16:14)
Introduction:
- Dr. Jeanne Iris
- Current: Danbury, CT, United States
- Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog,Theory of Iconic Realism to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!
Announcements
11 November, 2025
On this Veterans Day, I say to all Veterans...
10 November, 2025
Ekphrasis: My poem, "Haven" and the Church of St. Stephen the Martyr
Haven
Her candle lit,
she takes her usual seat
© Jeanne I. Lakatos
09 November, 2025
Autumnal Quilt Sonnet
Autumnal Quilt Sonnet
and feathered songs move onward.
A gentle breeze causes branches to bend
as the north wind beckons to be honored.
Pieces of cloth arranged with care
come alive in a forgotten room.
They're skillfully pieced with knowing flair
as the mum just waiting to bloom.
The autumnal chill in the air feels grand.
The windows, now closed, reveal hues of gold.
Steaming soup's on the stove, and with needle in hand
a quilter works on her pattern of old.
Now is the time to fill one's heart right
with warmth that will gratify a cold winter's night.
08 November, 2025
A Humble Creation
I am posting this poem in honor of my daughter's Birthday. She is indeed a 'humble creation of the Almighty Artist.'
A Humble Creation
the Mighty Sculpture
molds and shapes me
into that which will
inevitably
become the fulfillment
of my dreams ~
His promise,
and I can feel
the special pliancy
of His wondrous hands
as He blends
the Sorrow and the Pain
into the sculpted reality
in my life.
I am a humble creation
of the Almighty Artist.
07 November, 2025
A Pen, So Simple
A Pen, So Simple
A pen, so simple
and fundamental
yet functional
and dependable
somewhat ornamental.
A pen, so simple…
of brawny rosewood,
so my fingers could
glide as they write
to open minds.
A pen, so simple,
expresser of mine.
Now, where did I place you?
Oh, Saints Divine,
I implore you,
please help me to find
my much-needed pen
for
without it,
I feel…………
inert!
© Jeanne I. Lakatos
06 November, 2025
Sydney Owenson's 'The Wild Irish Girl' and Revolutionary Thought
Sydney Owenson’s national tales and narrative poetry echo those of the American colonists in regard to humanity’s birth right of freedom, particularly in the way her British characters interact with Irish characters. Owenson sees the Irish used as scapegoats for England’s perceived imperial failure and, through her writing, takes a stand against the British. While she leads her fellow country men and women to awareness of individual and national pride, she also sheds light upon the conditions of the nineteenth century female, that of subjugation to male dominance.
Particularly in The Wild Irish Girl, Owenson reveals eighteenth century societal dictates present within the Irish culture. Her inclusion of Irish speech involves the ‘wild’ Irish instructing the British aristocracy on truths evident to the Irish but virtually unknown by the intruding British. For example, the main female character’s name is Glorvina, the word glor in Irish, meaning voice. In one of her initial conversations with the British character, Horatio, she explains the significance of Irish music:
This susceptibility to the influence of my country’s music, discovered itself in a period of existence, when no associating sentiment of the heart could have called it into being; for I have often wept in convulsive emotion at an air before the sad story it accompanied was understood: but now- now- that feeling is matured, and understanding awakened. Oh! You cannot judge-cannot feel- for you have no national music; and your country is the happiest under heaven! [1]
Audaciously, Owenson configures historical and linguistic elements of Ireland within this foundational national tale and juxtaposes these elements with those of Great Britain through her two main characters, illustrating a cultural fantasy of an Anglo-Irish coalition.
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[1] Sydney Owenson, The Wild Irish Girl, Boston: Joseph Greenleaf, 1808, p. 92.





