"Let all your things be done in Love." (1 Corinthians 16:14)
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Introduction:

My photo
Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog,Theory of Iconic Realism to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Announcements

I will present or have presented research on Sydney Owenson (Lady Morgan) or my semiotic theory of iconic realism at the following location(s):

2023-2025: I will be researching and writing my third book on iconic realism.

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

10 November, 2025

Ekphrasis: My poem, "Haven" and the Church of St. Stephen the Martyr

Below is a photo of the Church of St. Stephen the Martyr in Opotiki, New Zealand. This picture brought to mind the introduction to a collection of short stories that I will complete... one day. The poem accompanying this photo is a conversion of a portion of my prose introduction to poetic form.

Church of St Stephen the Martyr, Opotiki, ca 1910-1930
"I see heaven open and the Son of Man standing at the right hand of God."
~ St. Stephen’s words at his theophany

Haven

They beckon 
the weary-hearted and calloused,
“Come and sit with me.”
Rows of empty pews
moor at a small altar,
each one anchored with a kneeler. 

Her candle lit,
she takes her usual seat
in the second row,
hoists the kneeler, 
then quietly moves it
to the wood floor,
genuflects in the Holy Presence, 
and blesses herself.

With eyes lowered,
she steers her troubled vessel
on an ethereal air,
through prayerful sighs
to the Haven of hope,
His almighty promise.

© Jeanne I. Lakatos


(My reading of this poem is on Pod-omatic at the bottom of this page.)

09 November, 2025

Autumnal Quilt Sonnet


I hand-stitched this quilt of 'maple leaf' blocks.

Autumnal Quilt Sonnet 

The warmth of summer comes to an end
and feathered songs move onward.
A gentle breeze causes branches to bend
as the north wind beckons to be honored.

Pieces of cloth arranged with care
come alive in a forgotten room.
They're skillfully pieced with knowing flair
as the mum just waiting to bloom.

The autumnal chill in the air feels grand.
The windows, now closed, reveal hues of gold.
Steaming soup's on the stove, and with needle in hand
a quilter works on her pattern of old.

Now is the time to fill one's heart right
with warmth that will gratify a cold winter's night.

© Jeanne I. Lakatos

You can listen to my reading of this poem by clicking HERE.


08 November, 2025

A Humble Creation

I am posting this poem in honor of my daughter's Birthday. She is indeed a 'humble creation of the Almighty Artist.'  

Photo from Google Images

A Humble Creation

With every minute
the Mighty Sculpture
molds and shapes me 
into that which will
inevitably 
become the fulfillment 
of my dreams ~
His promise,
and I can feel
the special pliancy
of His wondrous hands
as He blends
the Sorrow and the Pain
into the sculpted reality 
of Love and Joy 
in my life. 
I am a humble creation 
of the Almighty Artist. 

© Jeanne I. Lakatos


(To hear my reading of this poem is on Pod-omatic, click HERE.)

07 November, 2025

A Pen, So Simple

 

A Pen, So Simple 

A pen, so simple

and fundamental

yet functional

and dependable

somewhat ornamental.

 

A pen, so simple…

of brawny rosewood,

so my fingers could

glide as they write 

to open minds.

 

A pen, so simple,

expresser of mine.

Now, where did I place you?

Oh, Saints Divine,

I implore you,

please help me to find

my much-needed pen

for

without it, 

I feel…………

                                 inert!

 

© Jeanne I. Lakatos

 

06 November, 2025

Sydney Owenson's 'The Wild Irish Girl' and Revolutionary Thought


Sydney Owenson’s national tales and narrative poetry echo those of the American colonists in regard to humanity’s birth right of freedom, particularly in the way her British characters interact with Irish characters. Owenson sees the Irish used as scapegoats for England’s perceived imperial failure and, through her writing, takes a stand against the British. While she leads her fellow country men and women to awareness of individual and national pride, she also sheds light upon the conditions of the nineteenth century female, that of subjugation to male dominance. 

Particularly in The Wild Irish Girl, Owenson reveals eighteenth century societal dictates present within the Irish culture. Her inclusion of Irish speech involves the ‘wild’ Irish instructing the British aristocracy on truths evident to the Irish but virtually unknown by the intruding British. For example, the main female character’s name is Glorvina, the word glor in Irish, meaning voice. In one of her initial conversations with the British character, Horatio, she explains the significance of Irish music: 

This susceptibility to the influence of my country’s music, discovered itself in a period of existence, when no associating sentiment of the heart could have called it into being; for I have often wept in convulsive emotion at an air before the sad story it accompanied was understood: but now- now- that feeling is matured, and understanding awakened. Oh! You cannot judge-cannot feel- for you have no national music; and your country is the happiest under heaven! [1]

Audaciously, Owenson configures historical and linguistic elements of Ireland within this foundational national tale and juxtaposes these elements with those of Great Britain through her two main characters, illustrating a cultural fantasy of an Anglo-Irish coalition. 

_____________________________________________________

[1] Sydney Owenson, The Wild Irish Girl, Boston: Joseph Greenleaf, 1808, p. 92.


05 November, 2025

Odes to Pancakes


Photo from 'Duck Duck Go' images

Below is a duet of poetry focusing on the pancake theme in the rondeau form and then a parody of e.e. cummings' poem, "O Sweet Spontaneous."

Ode to Pancake Temptation
There, on my fine bone china plate
Five pancakes can't be a mistake
and neighboring maple trees in a row
provide home grown syrup to amply flow,
as fresh, sweet butter on top does skate.

To eat this meal at such a rate
won’t help in my quest of losing weight
yet hunger’s there; it won’t let go
there, on my fine bone.

This morning sure has sealed my fate
through personal, philosophical debate
but now, determined to my pinky toe,
it's wisdom’s garden I must hoe,
and make these feet accelerate 
there, on my fine bone.

© Jeanne I. Lakatos

*******************************

O Sweet Pancake Temptation
(a parody of e.e. cummings' "O Sweet Spontaneous")

O golden pancakes
drip
               ping
with sweet syrup
extracted
from maple’s vein
and butter 
squeezed
from bovine's 
p
u
r
i
t
y.

Does humanity
know the 
sacrifice
from earth’s offerings
for gluttony’s
bliss?

My delight 
pours forth
dripping
                       sweet 
with
appreciation 
and a little
blueberry pancake guilt.

© Jeanne I. Lakatos

To hear me recite this, please click HERE. 

04 November, 2025

Your Smile - Votre Sourire



       
                                  This is a little patisserie in Rheims, France, 
                     where I had a lovely cup of coffee and an almond croissant. 


Your Smile                                                       Votre Sourire

I am alone                                                         Je suis seul.
but I am not lonely,                                         mais je n'ai pas de solitude,
for I have your smile                                       parce que j'ai votre sourire
in my heart.                                                      dans mon coeur.
Your love flows through me                          Votre amour, le courant a traversé moi 
with delightful enthusiasm                            avec l'enthusiasme ravissant,
as a cup of warm tea                                        comme une tassede thé chaud
in a French cafe                                                dans le restaurant du café en français
on a rainy day                                                   sur un jour de pluvieux
brings solace                                                     effectuer la consolation
and quiet laughter                                            et rire de calme
to my soul.                                                         a mon âme.

© Jeanne I. Lakatos                                       © Jeanne I. Lakatos

(To hear my reading of this poem on Pod-omatic in English and en Francais, click HERE.