"Let all your things be done in Love." (1 Corinthians 16:14)
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Introduction:

My photo
Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog,Theory of Iconic Realism to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Announcements

I will present or have presented research on Sydney Owenson (Lady Morgan) or my semiotic theory of iconic realism at the following location(s):

2026: I will be researching and writing my third book on iconic realism.

November 2025: New England Regional Conference for Irish Studies, Massachusetts College of Liberal Arts, "Sociolinguistic Evidence in James Joyce’s Ulysses: The Use of Language to Express the Semiotic Theory of Iconic Realism"

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

10 July, 2026

Imre Madach's "The Tragedy of Man," Revolution and Knowledge


Photo: Illustration from website: http://www.wga.hu/html/z/zichy/index.html 

In The Tragedy of Man (1860), Hungarian playwright, Imre Madach, reveals the inherent spirit within humanity to resolve differences through knowledge. This play, consisting of fifteen scenes, depicts the first couple, Adam and Eve, in paradise whereby Eve questions the validity of the Lord’s request to deprive the couple of all knowledge. In her exchange with Lucifer in Scene II, she philosophizes:

Why should he punish? For if he hath fixed
The way that he would have us follow, so
He hath ordained it, that no sinful lure
Should draw us otherwhere; why hath he set
The path athwart a giddy yawning gulf
To doom us to destruction? If, likewise,
Sin hath a place in the eternal plan,
As storm amid the days of sunlit warmth,
Who would the angry storm more guilty deem
Than the life-giving brightness of the sun? (Scene II)

After leaving the garden of Eden for tasting of the fruit of the Tree of Knowledge, Adam and Eve fall asleep in their new home and experience a number of historical events to become aware of the many ways humanity has grown into self knowledge, beginning in Egypt, where the couple learns of personal glory. Adam then longs to learn of humanity’s struggle for the good of nation, through experiences in ancient Athens, Greece. They discover hedonism in ancient Rome, Christianity in the form of knighthood of the middle ages, where he also discovers medieval fanaticism. This leads to his search for sense in the sphere of Johannes Kepler. However, in the world of Emperor Rudolph, Adam moves on to the French Revolution, where he encounters the deceit of Danton and the ultimate failure in humankind’s ability to execute a lasting revolution. He becomes disenchanted with humanity at the London Fair. In the final scene, Eve tells Adam of the upcoming birth of their second child. She foreshadows:

If God so will, a second shall be born
In sorrow, who shall wash them both away
And bring upon this wide world, brotherhood.

Well, we all know what happened with that relationship, so Imre Madach, who places the burden of man’s struggle at the hands of the woman, also illustrates that humanity has within its grasp the ability to seize control over its destiny as the heavenly choir of angels sings:

…Yet in the glory of thy road,
Let not the thought thee blind
That what thou dost in praise of God
Is wrought of human mind.
Think not the Lord hath need of thee
His purpose to fulfill,
And thou receivest from Him grace,
If thou mayest work His will.

The Lord responds: O Man, strive on, strive on, have faith; and trust! (Scene XV)

Therefore, Imre Madach reveals, through the artistry of his writing, his intense belief that within its own consciousness, humanity has the ability to advance harmonic relevance from dissonant experience, for he presents Eve as the mother of humanity with the conviction that her children will move humanity forward in their quest for true knowledge. (Lakatos 2007)

09 July, 2026

Sweet Dreams (Codladh sámh)




Sweet Dreams (Codladh sámh)

Softly the trees sway
breezes steadily pulsating
plummeting my senses 
DEEP DEEp DEep Deep deep
into a serene, sensory 
serenade of sleep
slowly sifting
through sands of 
discernment
into a sea of dreams
where fantasy releases
the genesis 
of truth

© Jeanne I. Lakatos


(My reading of this poem is on Pod-omatic. Just click HERE.)

08 July, 2026

Alley Adventure

A memory of one of the many adventures my brother and I shared as children has come to mind. Stephen always discovered fascinating places, and I was the only sister who had the guts (or insanity) to go with him. This one was at our grandparents' house in an old section of Detroit, Michigan where each neighborhood had an alley.  Enjoy!

My grandparents' old house in Detroit, remodeled. 
You can see the tree in the background. Beyond that tree is the alley.

Alley Adventure
The Alley behind our grandparents' house
was intriguing to my brother and me.
The grown-ups didn’t want us to go there,
but he knew how to unlatch the back gate,
Sshhh…very quietly, so it wouldn’t squeak.
We tiptoed onto the graveled road.
A sweet yet acrid smell filled the air;
it was a strange, forbidden world.

This day, we discovered a horseshoe print,
embedded in a piece of hidden pavement,
shadowed by the tall grasses growing wild,
fighting for a piece of the dappled sunrays
that played upon the broken cement.
“Only one print,” Stephen whispered,
“Must be from Pegasus.”

Voices formed words in an unknown tongue
and floated from a large window of an old house
behind an unpainted wooden fence,
“Sssshhh!  Ghosts!” he  whispered.
I bent down to pick up a weapon,
a broken shard of brown glass
“This is a piece of magic glass, Jeanne,
from a land faraway… Put it down!
We don’t know what evil powers it might have.”

Reluctantly, I tossed the shard.
No magic today… no spilling of blood.
A quick run to the old wooden gate,
and we were back on Grandma’s garden path,
with freshly cut grass, wildflowers and roses,
our absence unnoticed, our memories enriched.

© Jeanne I. Lakatos  

07 July, 2026

Midnight Blaze

For this exercise, I chose two titles from a list and created a brief, yet potent poem. The poem titles below are from the Table of Contents of the Norton Anthology of Poetry, fourth edition. I simply closed my eyes, turned to two different pages, and pointed.
Your Words my friend (Canto 21 from Astrophil and Stella) by Sir Philip Sidney
Frost at Midnight by Samuel Coleridge


Love is a Cosmic Force 
painting by Alex Grey

 Midnight Blaze

Your words, my friend
burn through 
the reverie
until frost at midnight
mystically transforms
our truth
into a unique blaze,
melding two dreams
into one
phenomenal aim.

© Jeanne I. Lakatos



(To hear my reading of this poem on Pod-omatic, click HERE.)

06 July, 2026

In God's Time

Photo taken in Danbury, Connecticut

In God's Time

Taking my time, 
moving through a daily routine, 
I've come to that moment 
when I become anxious 
for answers to questions unresolved. 

Then, a thought enters my mind, 
moves through me, and reaches my soul. 
It becomes a prayer, guiding me 
to these feelings of love, peace, joy
that encompass me. 

No longer am I filled with doubt, 
for purpose supplants ache, and now, 
I feel Divine Love open my heart with His aim 
on a path, carefully tread 
in God's Time.

© Jeanne I. Lakatos




05 July, 2026

Thomas Paine and Revolutionary Consciousness: A Lesson for Twenty-First Century Readers

Thomas Paine, Rights of Man (photos from Google images)

Thomas Paine differentiates between natural and civil rights of man, with the latter originating from the former. He interprets the aristocracy’s use of language as a means of establishing a sense of power. Relating the consciousness of the eighteenth-century mindset, Paine elucidates for his readers an emerging global consciousness in Rights of Man:

The progress of time and circumstances, which men assign to the accomplishment of great changes, is too mechanical to measure the force of the mind, and the rapidity of reflection, by which revolutions are generated:  All the old governments have received a shock from those that already appear, and which were once more improbable, and are a greater subject of wonder, than a general revolution in Europe would be now…. what we now see in the world, from the Revolutions of America and France, are a renovation of the natural order of things, a system of principles as universal as truth and existence of man, and combining moral with political happiness and national prosperity.

These fundamental beliefs authentically provide Paine's readership with contrasting attributes of the narrow vision present in governmental hierarchy in contrast with those belonging to humanity in general. A correlation between humanity and nature formed the consciousness of revolutionary thought, which eventually fed into the elaborate (and beautiful) artistic, musical, and literary expressions of Romanticism. 

Our politicians of the twenty-first century could do well to consider Mr. Paine's words. Are we on the brink of realizing free expression, found within the core of human creativity derived from Divine Love or are we on the brink of mass destruction? As with all significant moments, we will know for sure...in God's time.

04 July, 2026

A Yankee Doodle Dandy

A dear friend was like a surrogate Mom to me and just about everyone else in town.  Every 4th of July, she could be seen in the town parade, riding the back of a motorcycle. (See photo below.) She was the mother of several children now living across the U.S., grandma and great-grandma to oodles more, and just a love. If you have the time, click (tick) onto A Patriotic Wave  to visit my other blog and another poem. 

Happy 4th of July from Connecticut, U.S.A! 

A Yankee Doodle Dandy
She's everybody's Mother.
She 'owns' the third pew
 at Mass on Sunday and daily, too,
just to be sure the priests stay true.
 She's an early bird all right
this merry widow dressed in red.

Prayed for the man for whom she wore white
50+ years ago
whispered one last "I love you!"
Sang the blues.
Then...
hopped on the back of this one's bike,
held on tight to save her life. 

Waves, smiles, stories to share,
filling up on love
feathered boa in mid-air
This yankee doodle dandy
in red, white and blue!

© Jeanne I. Lakatos

To hear me read this, please click HERE.