"Let all your things be done in Love." (1 Corinthians 16:14)
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Introduction:

My photo
Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog,Theory of Iconic Realism to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Announcements

I will present or have presented research on Sydney Owenson (Lady Morgan) or my semiotic theory of iconic realism at the following location(s):

2026: I will be researching and writing my third book on iconic realism.

November 2025: New England Regional Conference for Irish Studies, Massachusetts College of Liberal Arts, "Sociolinguistic Evidence in James Joyce’s Ulysses: The Use of Language to Express the Semiotic Theory of Iconic Realism"

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

16 June, 2026

Bloomsday! (June 16th)

I took this photo of O'Neill's Pub, Suffolk St., Dublin, Ireland 27 May, 2010.
---that was the one true thing he said in his life and the sun shines for you yes that was why I liked him---  (from Molly Bloom's soliloquy in the novel, Ulysses, by James Joyce)

Happy Bloomsday! In James Joyce's novel, Ulysses, Leopold Bloom epitomizes the concept of circuitous paths, as he meanders through the streets of Dublin on the 16th of June, 1904. The following is an excerpt from a paper I presented in Dun Laoghaire last year. It will be a chapter in a book to be published this year with Peter Lang Publishers and illustrates the use of iconic realism in James Joyce's Ulysses as well as in the medieval poem, Roman de la Rose. The following excerpt from that chapter discusses the character, Molly Bloom, who speaks out in the final 'Penelope' chapter through 40 pages of stream of consciousness and not a punctuation point to be found... an amazing read!

            In his novel, Ulysses, James Joyce illustrates parochial dissonance by means of Victorian feminine perceptions throughout Molly Bloom’s soliloquy in the final chapter of his epic tale. Using stream of consciousness in a manner unparalleled at this novel’s publication, Joyce leads his audience to the entrance of the sphere of Molly’s mind, taking the reader to every crevice of her feminine consciousness. Joyce defies the social stigma of women during this era as he interweaves Molly Bloom’s expression of a unique feminine point of view.

            Through Molly’s voice, he seeks answers to his own challenge with a feminine defiance of human weakness. The Ireland in which James Joyce lives is in the midst of revolution. As Joyce leaves his ancestral home, he allows his own genius to flourish. He sees the result of the male world’s design for women and seeks to illuminate the world with its significance. His personal associations with women frame the female portrait of Molly Bloom, as he places Molly in the midst of the Victorian era, with its focus on proper placement of gender roles, customs and even nations, carries the burden of living with this regimented philosophical point of view. Joyce designs the person of Molly to reveal traits that originate from conventional Victorian masculine ideas of how a woman should act or think. Joyce writes Molly as one whose actions have a tendency to focus upon her sexual desires. Molly, like Ireland, is a contradiction of human spirit. On one hand, she is independent, wild, yet she depends on the ruler of her heart for identity. 

15 June, 2026

Prayer of St. Columba of Ireland


The Prayer of St. Columba


Be a bright flame before me, O God
a guiding star above me.
Be a smooth path below me,
a kindly shepherd behind me
today, tonight, and for ever.
Alone with none but you, my God
I journey on my way;
what need I fear when you are near,
O Lord of night and day?
More secure am I within your hand
than if a multitude did round me stand.
Amen.      

                

               

14 June, 2026

13 June, 2026

Ugly Duckling's Pond

Years ago, Peadar's Poetry Jam prompt asked us to reveal an unknown from a fairy tale or myth. I chose one of my favorites, The Ugly Duckling's pond. 

Swans in East Lake, Danbury, Connecticut, U.S.A. 

Ugly Duckling’s Pond

Reeds sway
along the water’s edge,
 gentle waves
from graceful paddling
of a family of swans
lap up
heartbroken tears
as they embrace
the distorted reflections
of a duckling,
furtive and yearning.

© Jeanne I. Lakatos 

To hear me recite this, please click HERE

12 June, 2026

A Humble Creation


Photo from Google Images

A Humble Creation

With every minute
the Mighty Sculpture
molds and shapes me 
into that which will
inevitably 
become the fulfillment 
of my dreams ~
His promise,
and I can feel
the special pliancy
of His wondrous hands
as He blends
the Sorrow and the Pain
into the sculpted reality 
of Love and Joy 
in my life. 
I am a humble creation 
of the Almighty Artist. 

© Jeanne I. Lakatos


(To hear my reading of this poem is on Pod-omatic, click HERE.)

11 June, 2026

Take Time


Me, plucking the strings of my Celtic harp

Take Time

When the day has flown at rocket speed,
take time.
When the dog is barking in Kitty's face, 
take time.
When daily demands seem to overwhelm,
take time.
Take time to feel each moment's special glory.
Take time to hear the beauty in a sweet bird's voice.
Take time to love each task for its own story, 
and soon, the Infinite Beam
of life's loving Beacon
transforms the ordinary 
into extraordinary, 
creating simplicity
in time. 

© Jeanne I. Lakatos


(You can hear my reading of this poem by clicking HERE.)

10 June, 2026

A Flash Fiction Tale of 'Stella, the Ceili-Dancing Squash (Stink) Bug'


For one Monday Poetry Bus, a few years ago, TFE had requested that we board the streetcar named desire and finish a poem that he had begun a while ago, which happens to mention the name Stella (the beer and Paul McCartney's daughter's clothing line.) 
Well, I had an incident with a precocious bug in the Tutoring Resource Center which I coordinated at the local university. After learning that there was an infestation of these 'squash bugs' (or 'stink bugs') in another building where I had just visited, it dawned on me that perhaps, this little critter had hitched a ride in my hair because it wanted to hang out in the TRC. All this inspired a little flash fiction tale with the main character, unbelievably....Stella! So here 'tis: 

Stella, the Ceili-Dancing Squash ('Stink') Bug
by Jeanne Iris Lakatos

A March sun warmed the oak tree, standing at the entrance of the Old Main Building. Melting snow formed puddles in which blue birds and sparrows graciously bathed.

"Oh my," yawned Stella the squash bug. "It's already March! St. Padhraig's Day will soon be here, and I must stretch me dancing legs. What's that I hear? A lovely professor humming a ceili dance?! Why, I'll just leap into those long brunette locks and see where she takes me."
Stella waited until Jeanne passed right under her branch, took a deep breath and JUMPED!
"Ah! There we go!" she smiled.

Jeanne never saw the squash bug, clinging to the top of her head. She moved quickly across the campus, still humming the merry tune while Stella bounced to the rhythm of Jeanne’s Stella McCartney heels clicking along the brick sidewalk.

The professor opened the entrance door to Berkshire Hall and stepped down the hall to the Tutoring Resource Center where she headed straight to her CD player to raise the volume of her Celtic music album. Ah, Stella loved that melody and decided to move a bit closer, so she leaped off Jeanne’s hair, and oh no! She fell right into the blinds against the window...flat on her back!

"Please, PLEASE help me, Professor!" she cried, flailing her dancing legs. "See? I'm doing a ceili dance! The Connemara!"

Jeanne heard the THUNK of Stella’s fall, and peeked behind the blinds to see the squash bug’s wiggling legs. 
"Ahhhh!" screamed Jeanne, "A huge bug just fell from somewhere into the window!" Eeeeewwwww! Someone, please…. Help me get rid of this thing!"

“Thing?!” I’m of a proud line of perfectly fine squash bugs, I’ll have you know,” retorted the indignant Stella.

A brave Biology student calmly held out her hand to the bug. Stella elegantly crawled into her fingers.
"Go raibh maith agat!" she smiled to the student.

The girl gently placed her on a twig outside the door. Stella sighed, "I'll just wait here on this maple tree branch until the Professor returns. I'll jump onto her hair again, and when she brings me back into that joyful room, I'll show her a few ceili steps."

Jeanne thanked the student, thought to herself, “I could use a Stella right about now! Too bad they don’t allow beer on campus.”

Instead, she searched through her Stella McCartney catalog and made plans to buy a new hat.

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Extra Credit Haiku: 

I, dressed in Stella,
he, with Stella beer, 
chatting through a stellar night.

© Jeanne I. Lakatos