"Let all your things be done in Love." (1 Corinthians 16:14)
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Introduction:

My photo
Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog,Theory of Iconic Realism to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Announcements

I will present or have presented research on Sydney Owenson (Lady Morgan) or my semiotic theory of iconic realism at the following location(s):

2026: I will be researching and writing my third book on iconic realism.

November 2025: New England Regional Conference for Irish Studies, Massachusetts College of Liberal Arts, "Sociolinguistic Evidence in James Joyce’s Ulysses: The Use of Language to Express the Semiotic Theory of Iconic Realism"

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

24 February, 2026

Sydney Owenson: Weaving Threads of Culture Together




From my book: 

In Sydney Owenson’s national tales, she weaves together threads of disenfranchisement and enchantment, capturing the essence of the politically inspired Romantic era, in which the grand is intentionally written to be grander, where literary characterizations entwine with political forces within a civil society. 

The English aristocracy and the publishing community accept Owenson as a significant member of their elite societies through her writing and marriage to Sir Charles Morgan. Even though she takes the name, ‘Lady Morgan,’ she remains loyal to her Irish roots as Sydney Owenson. Her loyalty to both identities serves her expressive purposes well, for she carefully coordinates these unique influences into her text by merging the English tale of aristocratic inheritance with Irish ideology. 

Not only did Sydney Owenson bring innovation to Irish literature in the form of national tales written from a woman’s perspective, but also she included illuminating research in each of her works on the historical significance of her characters, their personal and political milieux, and their sociolinguistic backgrounds. She includes a wide range of socioeconomic and ethnic variables within the linguistic components of her characters’ discourse. 

For these reasons, she has been an excellent choice in researching the relevance of the eighteenth and nineteenth centuries’ revolutionary period in Europe and America. Her interest in uniting political factions and social classes as a way to open communication for the cause of justice in Ireland during this era is clearly evident in her thematic structures and characterizations. 

23 February, 2026

Faith like a Rock (or Ode to a Friend)

Decades ago, I lived in Atlanta and received a letter from a friend who lived in my hometown in Michigan. She wrote to tell me that our mutual friend in Junior High School had committed suicide. We were all cheerleaders, and it was so sad to learn that this young girl came to such a sad ending. After praying, I wrote this poem, "Faith like a Rock (or Ode to a Friend)." Unfortunately, our friend ended up as a drifting river. 

Photo of a stream near my home with a small, gentle waterfall and many rocks

Faith like a Rock
(or Ode to a Friend)

So this is life ~
engulfing 
the sorrows and heartaches
of human weakness.
There are no tides without the ocean depths.
A tear can stroke my cheek,
but where is Faith?

The heart can contain emotions.
The soul can contain feelings.

A waterfall may flow forever, 
but without the steadfast Rock,
it is only a drifting river.
Each of us has a Rock
which harbors our heart. 
The stronger the Rock, 
the more tender the soul. 

© Jeanne I. Lakatos

21 February, 2026

A Day with Wintry Trees

This poem is a brief narrative that describes one full wintry day. Since we're about to experience another New England Nor'easter this weekend, I thought it would be appropriate. 




I took these photos in Danbury, Connecticut.

A Day with Wintry Trees

As morning sun
awakens each snowflake
adorning bare limbs,
and trees sigh
in serenity's brilliance,
one last, gold leaf glistens
in the snowy shower
when a brisk wind
draws its stem from a tree,
and in this release,
the leaf tumbles
in a dance of jubilation.

This leaf drifts to the ground,
and the tree,
now naked and sparkling
in the sun's warmth,
stands tall and ready
to accept its wintry destiny.

**************************

Golden sun illumines
the end of this day.
Behind striated clouds
of pink and orange,
an aqua sky enhances
the illumination
as dancing branches rattle,
yielding to the variant wind.

She breathes in the song
of this winter night
and surrenders to its peace,
lets the brisk, fresh air
fill her smile, for she sees
the tiny footprints of animals
braver than she,
leading to the tree's hollow.
Nurtured by the moon’s iridescence 
and a dominion of love,
they snuggle 
within a newly fallen leaf.

***************************

Evergreens mingle
with snow-kissed branches.
The canopy opens
to welcome a thousand stars
spread across the midnight sky,
and under their distant radiance,
she whispers, “Humbly, I adore Thee.” 

© Jeanne I. Lakatos  

You can hear me recite this poem by clicking HERE.

20 February, 2026

Empty Nest

 

Empty Nest

Nest of winter

left over from the hot, summer months,

carefully interlaced grasses

rest peacefully against a raftered wall.

This nest that once was the home, 

center of life for the young feathered ones

whose songs welcomed sleepy ears each morning

and sang 'good night' echoes to begin each evening. 

Now, the silence reigns,

bringing with it the howling, wintry winds, 

as the strength of woven grasses awaits

another answered prayer for the warmth and hope 

of Spring.

© Jeanne I. Lakatos

19 February, 2026

The Mill

Long ago, a friend told me about this beautiful mill, located in Floyd County, Virginia. I found a picture of it in a history book and saw the serene beauty of this sight, so I took out my oil paints and painted my own version of the mill: Mabry Mill is its name. Below are two photos. One is a photo from Google Images. The other is my painting of the lovely Mabry Mill in Floyd County, Virginia. The poem revolves around this stalwart mill.

The 'melodious Lark' in the poem refers to Ralph Vaughn Williams' masterpiece, The Lark Ascending. You can hear the lovely melody if you click HERE. 

Photo of Mabry Mill, Virginia
 from Google Images
 
My painting of Mabry Mill, Virginia
                                             

The Mill

Quietly and peaceful
 The Mill does stand
In harmony with God's land,
and in its tranquil solitude
the melodious Lark 
sings its sweet etude. 
All the while, 
the Mill in steady repose sings: 

"I'll be here
as long as the wind does carry
His song through the realms of time. 
I'll be here for you ~ 
My love will ne'er weary
for your spirit 
inspires
my Joy. 

© Jeanne I. Lakatos


(To hear my reading of this poem on Pod-omatic, click HERE.)

18 February, 2026

Ash Wednesday

 



“But thou, when thou fastest anoint thy head, and wash thy face; That thou appear not to men to fast, but to thy Father who is in secret: and thy Father who seeth in secret, will repay thee.”
(Matthew 6:17-18) kjv

17 February, 2026

Bluebird Dream

Years ago, TFE's Poetry Bus  had Kate the Emerging Writer as its driver. She provided us with three excellent prompts, and I chose to apply my own version of l'esprit d'escalier for Prompt III and a little of Prompt II, too, so I guess this was a combo plate. For those unfamiliar with bluebirds, they are the most beautiful little birds on the planet. Below, I've included a photo of one that I took from my living room window... for your viewing pleasure.

Bluebird perched on a maple tree branch

Bluebird Dream

Letting the pen fall,
she sighed into a dream.
There, her responses
were perfectly timed
and no one left the room
unaffected.

She was strong, efficient.
Perseverance was her game.
Not one soul
would even consider
challenging her decisions.
They wouldn’t dare.

A bluebird awakened her.
So small, beautiful
iridescent blue
and sweetly chirping.
Suddenly, it darted past her
and again in the other direction.

Soon, she saw a pair of wings
much larger, bolder.
That bird flew high and away.
The bluebird perched
on a limb of the maple tree,
panting, confident, dreaming.


© Jeanne I. Lakatos


(To hear my reading of this poem on Pod-omatic, click HERE.)