"Let all your things be done in Love." (1 Corinthians 16:14)
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Introduction:

My photo
Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog,Theory of Iconic Realism to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Announcements

I will present or have presented research on Sydney Owenson (Lady Morgan) or my semiotic theory of iconic realism at the following location(s):

2026: I will be researching and writing my third book on iconic realism.

November 2025: New England Regional Conference for Irish Studies, Massachusetts College of Liberal Arts, "Sociolinguistic Evidence in James Joyce’s Ulysses: The Use of Language to Express the Semiotic Theory of Iconic Realism"

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

01 February, 2026

"Clair de Lune" by Claude Debussy, A Deleted Segment of Walt Disney's 1940 film, "Fantasia"

Click below to view the film clip: 

I came upon this beautiful interpretation of "Clair de Lune" by Claude Debussy, deleted from the final version of the Disney classic film, Fantasia. A visual and aural illustration of life's circularity, this film depicts innovation in the art of filmmaking for the time in which the artists and musicians collaborated to create this film. The love expressed in this one scene makes my heart sing. Moreover, I really love the blue tones in the scene above, for they remind me of the very early morning, right before sunrise, when the flora and fauna all contain shades of blue.  

Below is the opening recitative from my operetta, Luminescence, an interpretation of the 13th century poem, Roman de la Rose. It also focuses on the moon as it relinquishes its light to the sun:

The moon, known as Lunula, emits a soft, silver glow onto the indigo and deep green foliage where life renews in the created shadows of the garden’s crevices. Then, she silently dismisses darkness from the fertile land. As daybreak slowly creates an elusive blush, Lunula moves aside to allow her eminence, the sun, its splendid glow in the dawning light. Knowing that her radiance is dependent on the reflection of the sun, Lunula illuminates this shaded, overgrown venue with dignity and grace, providing inspiration for the precious life over which her luminescence humbly drifts. 

© Jeanne I. Lakatos 

To hear me read this, please click HERE.

31 January, 2026

Strength Within

Since transformation is part of my blog's title, I composed this villanelle, containing the poetic framework creating a linguistic form of life's ebb and flow. This poem's theme is that a loving, driving, force that emanates from the Divine, can bring a transforming strength, and I hope you enjoy it. 

Photo is of East Lake, Danbury, CT

Strength Within

Draw from Love that brings your verve its aim,
for gently comes the mission that will bring
the strength within that only you can name.

Your passion resonates hope; now proclaim
the song that desires your voice, and boldly sing.
Draw from Love that brings your verve its aim!

Intricacy builds clarity as the frame 
of delicately interlaced might, healing
the strength within that only you can name.
 
Travail with challenge evolves, as the game
of motivating resolve becomes your freeing.
Draw from Love that brings your verve its aim.

Benevolence and wonder: Adventure’s name
and yours when life moves on by loving
the strength within that only you can name.

Acknowledge from your heart that you can't tame
the Sacred Grace from unleashing torment’s cling.
Draw from Love that brings your verve its aim,
the strength within that only you can name.

© Jeanne I. Lakatos

To hear me recite this villanelle, please click HERE

30 January, 2026

The Shy One

The poem below deals with a childhood hurdle that eventually led me to grow in confidence: the family tag of 'the shy one.' 

a photo of pensive me, 2009

The Shy One

“Jeanne is the shy one,”
explained Mom 
when she introduced 
my siblings and me
to someone new
we happened to meet.
My tag was sewn,
identified and neat.

But I really wasn’t terribly shy
as indicated by Mother.
I simply loved to scrutinize
and exercise prudence
in dealing with others.

A curse back then.
But now I understand;
my pensive ‘flaws’
were precious gifts
of a Higher command.

Indeed, this shy one
has ardently grown,
for my interactions
delicately honed,
pensive and discreet,
have led me to complete
some pretty marvelous feats.

Thank you, Lord. 

Thanks Mom and Dad... 
May the Perpetual Light shine upon you.

© Jeanne I. Lakatos

29 January, 2026

Mercy Otis Warren, Muse of the American Revolution, 1776

Painting of Mercy Otis Warren

Mercy Otis Warren, given the title by some historians of Muse of the American Revolution, is often neglected in the U.S. historical memory. However, her motivation for contributing numerous literary works on the subject of independence demonstrates virtues found in the common individual while pointing out the discrepancies in a non-representational government. In her 1773 play, The Adulateur, Warren describes the issue of individual rights through the speech of her main character, Brutus:

 

The change how drear! The sullen ghost of bondage
Stalks full in view—already with her pinions,
She shades the affrighted land—the insulting soldiers
Tread down our choicest rights; while hoodwinked justice
Drops her scales, and totters from her basis.
Thus torn with nameless wounds, my bleeding country
Demands a tear – that tear I’ll freely give her. [1]


Using the rebellious poetic format of blank verse, Warren creates an image of the capture of justice, illustrating the conception that human beings might be inherently good, but their thirst for power could cause a diminishing of spiritual truth, thus leading to contrived allegiances to governments and other forms of false leadership. 

 

We thank such brave intelligent writers as Mercy Otis Warren for their insights regarding historical perspectives of justice. 

[1] Mercy Otis Warren, The Adulateur, Act I, Scene I, Boston: New Printing Office, 1773.


28 January, 2026

Upon listening to "Fantasia on a theme by Thomas Tallis" by Ralph Vaughn-Williams

 

I took this photo of the moon in a cloudy sky, framed by the shadows of maple trees. 
The clouds seemed to form a landscape of their own. 

Click HERE to listen to the lovely, musical piece, "Fantasia on a Theme by Thomas Tallis," performed in the Gloucester Cathedral, where Ralph Vaughn-Williams first performed it in 1910. 


I wrote the verse below upon listening to the above piece,
 composed by Ralph Vaughan-Williams.


Fantasia

Yearning for serenity,
an unsettled mind
drifts gracefully, 
flowing in paralysis,
a paradox offering
of a spiritual triad:
sweet malady
sweeter melody
sweetest memory.

A core surge 
caresses
in Divine rhythm.
Echoes...
from arched bones,
guarding this heart
in solemn surrender 
to stillness,
fill the repose  
with sweet assurance.

© Jeanne I. Lakatos


(To hear my reading of this poem, click HERE.)

26 January, 2026

The Song - An Amhran

Below, I've posted a small poem that I wrote having taken a few Irish Gaeilge classes. I'm still not sure if the grammar is correct, but I think you'll get the idea anyway. I took the photograph just as I was leaving a conference at NUI Galway. I didn't know just how gorgeous the beach was until I was on my way out of town and passed this view heading out on my way to Sligo. 

         I took this photo of Galway Beach, Ireland.


The Song                                                       An Amhran

On the wind, the song sails              Ar na gaoth, an amhran ag sceoladh 
to another who will hear                  do an eile an té cloistrail
the sweet language that blesses.       an teanga binn ag beannú.
Gathering the creed of Love,           Ag bailigh an creid de Ghrá,
the song is forever,                           ta se an amhran go deo, 
sweet and praising.                           milis agus ag moladh.

© Jeanne I. Lakatos                          © Á Siobhán I. Glasaire

25 January, 2026

Acts of Love

 

The Great Smoky Mountains, North Carolina 
(photo from DuckDuckGo Images)

This poem stems from a prayer I learned as a young child, The Act of LoveO my God, I love thee above all things, with my whole heart and soul, because thou art all good and worthy of all my love. I love my neighbor as myself for the love of thee. I forgive all who have injured me and I ask pardon of all whom I have injured. Through Christ our Lord, Amen.

Acts of Love

Someone over there
might reach out to me,
might need my comfort, 
my trust, my love. 

The Lord will provide 
Blessed moments to enfold 
a Joy fulfilled
 with the one over there. 

First, I will pray,
then gently step forward,  
lifting the heart 
of the one over there. 

I accept all that God provides,
 share what the Son confides
do what the Spirit guides:
righteous Acts of Love.

© Jeanne I. Lakatos