"Let all your things be done in Love." (1 Corinthians 16:14)
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Introduction:

My photo
Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog,Theory of Iconic Realism to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Announcements

I will present or have presented research on Sydney Owenson (Lady Morgan) or my semiotic theory of iconic realism at the following location(s):

2026: I will be researching and writing my third book on iconic realism.

November 2025: New England Regional Conference for Irish Studies, Massachusetts College of Liberal Arts, "Sociolinguistic Evidence in James Joyce’s Ulysses: The Use of Language to Express the Semiotic Theory of Iconic Realism"

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

05 August, 2026

Bubbles

http://www.software-dungeon.co.uk/images/594_amazing-bubbles-3d-screensaver-640-1.jpg

         
         Level bubble from Duck-Duck-Go images


Bubbles

A bubble floats across warm seas,
or saunters back and forth 
in the boundaries of a level,
in sync with those other bubbles
recently settled.
Through their assembly,
each translucent sphere 
contributes structured eccentricity, 
globular bodies of air 
traveling through a liquid,
transforming chaos 
into serene resolve,
such sensible things, bubbles are.

© Jeanne I. Lakatos

04 August, 2026

One Toothy Smile... for a Price


Photo from Google Images: 6thsenselondon.com

One Toothy Smile... for a Price

The last time I was there,
she scrubbed and scraped
poked and prodded
flossed and fussed
asked me questions
and seemed to understand
my mouth-filled speech,
draped an x-ray proof
jacket upon me
left the room
to "take pictures"
stuffed my mouth
with fluoride cotton pillows 
and with the tray,
again left the room,
called in the physician
who poked and prodded
gaped and nodded
examined the pictures
and stated quite satisfied,
“Your teeth are fine!”
Upon checking out,
the receptionist announced,
“That’ll be $400.00, please,
and would you like to make an appointment 
for 6 months from now?”
Hmmm... I thought to myself: 
"I’ll return...
when my tooth aches
more than my wallet."

© Jeanne I. Lakatos

03 August, 2026

From my operetta, Luminescence: Honeysuckle (Christine de Pizan)


Honeysuckle and the Bee 
I took this photograph on one of my walks.

Expanding on the medieval narrative poem, Roman de la Rose, my operetta, Luminescence, is a fantasy of historical women writers' intellectual voices represented by flowers in an abandoned garden. Below are the pre- and post- recitatives, accompanying the 'voice' of Christine de Pizan, represented by the flower, Honeysuckle

The lovely essence of Rose’s beauty entices a hungry bee to fly closer. Her petals form a co-mingled scent with those of Honeysuckle, surrounded by Lilies of the Valley and Forget-me-nots. Honeysuckle, through the mind-set of Christine de Pizan, reflects on true respect between men and women as the ultimate example of true love: 

I am the Honeysuckle.

The name given to me is Christine de Pizan. 

I believe that men and women can and should 

live in harmony with each other,

respecting the intellectual 

as well as the physical attraction 

of man to woman and woman to man. 

The bond of the Holy Spirit in one’s life 

holds this attraction together. 

The tradition of reverent love illustrates 

the necessity of the human race 

to display loyalty, wisdom, and understanding 

in all levels of love relationships. 

Through these elements, 

love becomes a reflection of the truest gift, 

given to us by our Heavenly Father. 

Thus, physical love must accompany 

emotional love and intellectual respect 

to be complete.

Rose understands this need to combine the elements of intellect and desire in pursuing love. She contemplates her own reaction to the bee’s advances and ponders the warmth she feels as this creature hovers ever so intently...

© Jeanne I. Lakatos

02 August, 2026

The Long Eighteenth Century Political Writing of Sydney Owenson (Lady Morgan)

My collection of Sydney Owenson (Lady Morgan) books

Citizenry rise to proclaim their independence from legislative taxation without corresponding representation in individual communities. This cry for autonomy creates the atmosphere for the eighteenth century American colonists to stand strong against any form of tyranny and eventually to create a unique form of government “of the people, by the people, for the people.”  This concept resonates with Owenson, as she rewrites her own history to correspond with major events belonging to the American colonists’ revolutionary actions.  

In the eighteenth century, the scientific world embarks on new discoveries. Sight, sound, and the universe embody the main thought patterns during this time. In this context, Marjorie Hope Nicolson observes, “the increasing self-consciousness of the eighteenth century about the sense of sight (leads) to a growing interest in all senses, their processes, and their interrelationship, and to an awareness of the ‘harmony of the senses.’” This encompasses those sensory stimuli, which affect every aspect of the human being. 

Owenson: 
To make her native country better known, and to dissipate the political and religious prejudices that hindered its prosperity...in her works, there was always some principle to be advocated or elucidated…Neither lovers, friends, nor flatterers, ever turned her attention from the steady, settled aim of her life-- and that was to advocate the interest of her country in her writing. (Memoirs, p. 284)

In this manner,  Owenson makes references to familial attributes in her descriptions of relations between Great Britain, America, and Ireland.

 _____________________________________
Marjorie Hope Nicolson, Newton Demands the Muse: Newton's Opticks and the Eighteenth Century Poets, (Princeton, New Jersey: Princeton University Press, 1966), p 87.

01 August, 2026

The Song - An Amhran

Below, I've posted a small poem that I wrote having taken a few Irish Gaeilge classes. I'm still not sure if the grammar is correct, but I think you'll get the idea anyway. I took the photograph just as I was leaving a conference at NUI Galway. I didn't know just how gorgeous the beach was until I was on my way out of town and passed this view heading out on my way to Sligo. 

         I took this photo of Galway Beach, Ireland.


The Song                                                       An Amhran

On the wind, the song sails              Ar na gaoth, an amhran ag sceoladh 
to another who will hear                  do an eile an té cloistrail
the sweet language that blesses.       an teanga binn ag beannú.
Gathering the creed of Love,           Ag bailigh an creid de Ghrá,
the song is forever,                           ta se an amhran go deo, 
sweet and praising.                           milis agus ag moladh.

© Jeanne I. Lakatos                          © Á Siobhán I. Glasaire

31 July, 2026

The Shy One

The poem below deals with a childhood hurdle that eventually led me to grow in confidence: the family tag of 'the shy one.' 

a photo of pensive me, 2009

The Shy One

“Jeanne is the shy one,”
explained Mom 
when she introduced 
my siblings and me
to someone new
we happened to meet.
My tag was sewn,
identified and neat.

But I really wasn’t terribly shy
as indicated by Mother.
I simply loved to scrutinize
and exercise prudence
in dealing with others.

A curse back then.
But now I understand;
my pensive ‘flaws’
were precious gifts
of a Higher command.

Indeed, this shy one
has ardently grown,
for my interactions
delicately honed,
pensive and discreet,
have led me to complete
some pretty marvelous feats.

Thank you, Lord. 

Thanks Mom and Dad... 
May the Perpetual Light shine upon you.

© Jeanne I. Lakatos

30 July, 2026

Daffodils, Forget-me-nots, and an Old Rock Wall

 

Daffodils and Forget-me-nots, along an old rock wall in Connecticut.


Daffodils, Forget-me-nots, and an Old Rock Wall

Daffodils and Forget-me-nots, 

planted many years ago along an old rock wall, 

remind us that others tread along this path. 

We forget them not, for their brilliance lingers.

Their journey has ended while ours continues,

endeavors never defeated by onslaughts 

of storms, heat, cold winds, and other calamities. 

We are strong, resilient, awakening each Spring:

Daffodils, Forget-me-nots, old rock walls...us.


© Jeanne I. Lakatos