“Let the field exult, and all that is in it. Then all the trees of the forest will sing for joy.” (Psalm 96:12)
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Introduction:

My photo
Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog,Theory of Iconic Realism to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Announcements

I will present or have presented research on Sydney Owenson (Lady Morgan) or my semiotic theory of iconic realism at the following location(s):

2023-2025: I will be researching and writing my third book on iconic realism.

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

06 September, 2024

Upon listening to "Fantasia on a theme by Thomas Tallis" by Ralph Vaughn-Williams

 

I took this photo of the moon in a cloudy sky, framed by the shadows of maple trees. 
The clouds seemed to form a landscape of their own. 

Click HERE to listen to the lovely, musical piece, "Fantasia on a Theme by Thomas Tallis," performed in the Gloucester Cathedral, where Ralph Vaughn-Williams first performed it in 1910. 


I wrote the verse below upon listening to the above piece,
 composed by Ralph Vaughan-Williams.


Fantasia

Yearning for serenity,
an unsettled mind
drifts gracefully, 
flowing in paralysis,
a paradox offering
of a spiritual triad:
sweet malady
sweeter melody
sweetest memory.

A core surge 
caresses
in Divine rhythm.
Echoes...
from arched bones,
guarding this heart
in solemn surrender 
to stillness,
fill the repose  
with sweet assurance.

© Jeanne I. Lakatos


(My reading of this poem is on Pod-omatic at the bottom of this page.)

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