"Be anxious for nothing, but in everything by prayer and supplication with thanksgiving let your requests be made known to God." (Philippians 4:6)
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Introduction:

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Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog, "Theory of Iconic Realism" to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Announcements

I will present or have presented research on Sydney Owenson (Lady Morgan) or my semiotic theory of iconic realism at the following location(s):

2023-2024: I will be researching and writing my third book on iconic realism.

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

18 October, 2023

Thomas Paine and Revolutionary Consciousness: A Lesson for Twenty-First Century Readers

Thomas Paine, Rights of Man (photos from Google images)

Thomas Paine differentiates between natural and civil rights of man, with the latter originating from the former. He interprets the aristocracy’s use of language as a means of establishing a sense of power. Echoing the consciousness of the eighteenth-century philosopher, John Locke, Paine elucidates for his readers an emerging global consciousness in Rights of Man:

The progress of time and circumstances, which men assign to the accomplishment of great changes, is too mechanical to measure the force of the mind, and the rapidity of reflection, by which revolutions are generated:  All the old governments have received a shock from those that already appear, and which were once more improbable, and are a greater subject of wonder, than a general revolution in Europe would be now…. what we now see in the world, from the Revolutions of America and France, are a renovation of the natural order of things, a system of principles as universal as truth and existence of man, and combining moral with political happiness and national prosperity.[1]

Our politicians of the twenty-first century could do well to consider Mr. Paine's words. These fundamental beliefs authentically provide his readership with contrasting attributes of the narrow vision present in governmental hierarchy in contrast with those belonging to humanity in general. A correlation between humanity and nature formed the consciousness of revolutionary thought, which eventually fed into the elaborate (and beautiful) artistic, musical, and literary expressions of romanticism.

It's October 18, 2023. Are we on the brink of realizing free expression, found within the core of human creativity....or... are we on the brink of a constrained life experience, found in a contrived order as the result of total control of the human mind? 




[1] Quoted in Foner 536-37.