“Let the field exult, and all that is in it. Then all the trees of the forest will sing for joy.” (Psalm 96:12)
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Introduction:

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Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog,Theory of Iconic Realism to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Announcements

I will present or have presented research on Sydney Owenson (Lady Morgan) or my semiotic theory of iconic realism at the following location(s):

2023-2025: I will be researching and writing my third book on iconic realism.

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

29 September, 2024

My Hands, a poem

Recently, the scripture readings at Church included the following passage: 
"And let the beauty of the Lord our God be upon us: and establish thou the work of our hands upon us; yea, the work of our hands establish thou it." (Psalm 90:17)

Below is a poem with the theme of my use of hands, 
which some may think is archaic in this current era of technology:

Harp and me, one autumn afternoon

My Hands

Turning 
weathered pages of a centuries old book,
my fingers touch a piece of history,
for this page was once turned by the fingertips
of a lady sitting by candlelight on a blue velvet chair,
her linen dress, flowing around covered ankles.
Strumming 
the strings of a vibrating harp, melodic echoes, soothe
the mind of my precious dog who lives to protect me
love me, comfort me. It's the least I can do for her.
Kneading 
dough that clings to each finger until I apply 
one more dash of flour to create 
the soft ball that will miraculously rise
to form into the sweet, aromatic sustenance of life: 
bread, feeding others with joy.
Threading 
a needle with just the right length and color 
of waxed cotton,
slowly I turn remnant pieces of cloth
into a quilted memory to comfort 
through the warmth of artistry and pragmatism.
Digging 
into rich, brown soil, I plant a seed
water, nurture, protect until one day it grows
into a savory food, the source of a satisfied smile.
Holding 
an extended hand, I feel the presence
of tender strength, our fingertips, touching,
Loving 
 brushing the tear from a dear one's eye
fond memory of the gentleness.
Praying
palm against palm, I sing a song of praise.
Humbly, I give thanks to Him,
Knowing 
His Love is undying, strengthening, 
guiding each step to fulfillment of 
His Purpose for me:
Living 
from heart to hand.

© Jeanne I. Lakatos


(To hear my reading of this poem on Pod-omatic, click HERE.)