"Be anxious for nothing, but in everything by prayer and supplication with thanksgiving let your requests be made known to God." (Philippians 4:6)
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Introduction:

My photo
Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog, "Theory of Iconic Realism" to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Announcements

I will present or have presented research on Sydney Owenson (Lady Morgan) or my semiotic theory of iconic realism at the following location(s):

2023-2024: I will be researching and writing my third book on iconic realism.

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

05 December, 2023

Artistry

An artist is a poet is an artist...Incorporation of art and poetry creates illumination of a human experience.
 


Artistry of a Poet's Hand

A fine gold nib gently fits
into a feathered pen.
The well of silver and crystal accepts colorful ink,
carefully poured by the hand of a poet.

This artisan of words dips the golden nib  
into the well, slides it along the neck,
allowing excess fluid to gracefully drip
off its gilded edge.

The poet reflects on placement of each word,
and touching nib to parchment,
propels the filled pen to stroke left, then right,
forming each letter with deliberate flourish.

Ornate illuminations of richly hued imagery
in crimson, amethyst, and beryl green,
penned along the borders of the page,
elegantly coalesce genius with beauty:
the Word, inscribed.

© Jeanne I. Lakatos