“Let the field exult, and all that is in it. Then all the trees of the forest will sing for joy.” (Psalm 96:12)
Protected by Copyscape DMCA Copyright Protection

Introduction:

My photo
Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog,Theory of Iconic Realism to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Announcements

I will present or have presented research on Sydney Owenson (Lady Morgan) or my semiotic theory of iconic realism at the following location(s):

2023-2025: I will be researching and writing my third book on iconic realism.

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

10 September, 2024

We will always remember!


Photo from Google Images
Click onto the candle to hear Sarah McLachlan sing "Angel."

Photo from http://michaeljamescasey.com/blog/wp-content/uploads/2011/01/natl_memorial.jpg


Photo from Washington Post

Photo from Google Images

 The National 9/11 Memorial, New York City, Pentagon 9/11 Memorial, and Flight 93 Memorial

I wrote this poem the afternoon of September 11, 2001 in Danbury, CT, 65 miles north of the devastating scene unfolding in New York City, yet close enough to know that the same clouds passing right above me just passed over that horror. The wispy clouds almost looked like angels floating above and away from the madness below. No planes crossed the sky above, only silence… except for the industry of nature.

September 11, 2001

Bellowing clouds of madness
devour cavernous streets
filled with masses 
seeking freedom
from a spumous potion of death.

Silent plumes in an azure sky,
Blessed by the whispers
of three thousand Angels,
newly formed and dancing,
mollify this tableau of horror.

As evening approaches, 
silent stars fill the night firmament. 
No airplanes fly in this night sky.
Delicate crickets chirp; katydids begin to sing.
Strong airy wings of a soaring bird reveal 
a Love that can never die...
Freedom prevails.

© Jeanne I. Lakatos  2001


(My reading of this poem is on Pod-omatic at the bottom of this page.)