One morning, the birds were in their glory: singing, chirping, and busy with their daily activities. I live in an area of Connecticut that is blessed with much beautiful greenery and wildlife. Long ago, I looked at a photograph of an abandoned canoe, and the first thing that came to mind was the tranquility of an abandoned garden on a steamy day, much like the ones we have had here recently and such as the one which is the subject of my operetta, Luminescence, an interpretation of the medieval French epyllion, Roman de la Rose.
Below is an excerpt from my operetta, Luminescence, which might reveal a sensorial view of morning in this magical garden.
Morning Recitative
(from my operetta, Luminescence)
Lush overgrowth
forms an inspiring, prolific canopy
Tender petals compete
for limited radiance
of the morning’s brilliance.
Abandoned
by inheritors of this fertile land,
the garden flourishes independently
in floral splendor.
A cooling brook meanders
through the twisted, scented undergrowth,
creating a reflective ribbon,
adorning this Eden
with bubbling ballads.
Elegant, colorful bouquets embellish
fertile banks with a natural brilliance.
Soothing resonance musically honors the presence
of Divine intelligence.
Flowers open their petals,
attracting the arrival of winged courtiers,
who pollinate their eager pistils.
They clamor close to the wall,
reflecting wisdom of the struggle
to remain vibrant in this forgotten place.
Their beauty blends resplendent
color with fragrance,
giving the garden vitality,
as one more day brings a splendid luster
into the chaos of the untamed garden.
© Jeanne I. Lakatos
I extend much gratitude to the following brilliant musicians, who have transposed (or are in the process of transposing) an Irish melody compiled by Sydney Owenson (1804) into 5 musical genres for this operetta: Dr. Marjorie Callaghan (medieval) and Mr. Daniel Kean (baroque and classical).