"Come unto me, all ye that labour and are heavy laden, and I will give you rest. Take my yoke upon you, and learn of me; for I am meek and lowly in heart: and ye shall find rest unto your souls.“(Matthew 11: 28-29)
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Introduction:

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Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog,Theory of Iconic Realism to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Announcements

I will present or have presented research on Sydney Owenson (Lady Morgan) or my semiotic theory of iconic realism at the following location(s):

2023-2025: I will be researching and writing my third book on iconic realism.

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

02 November, 2024

The Wild Irish Girl: a national tale, written by Sydney Owenson (Lady Morgan)

The Wild Irish Girl by Sydney Owenson (Lady Morgan) and image from book
1888 edition from my collection

In her novel, The Wild Irish Girl, Sydney Owenson (Lady Morgan) introduces the ‘national tale’ and exquisitely moves the reader through a traditional, romantic legacy. She employs the extensive use of explanatory sidebars to enlighten her readers of unjust penal codes within the Act of Union 1801. 

In addition, she unifies the reader with her cause, that of representing the Irish 'wild' or natural viewpoint of the English aristocracy with her unique voice, illustrating that similar passions faced by women also reflect the power struggle within the intellectual, romantic era. Thus, her choice of the term, 'wild,' is deliberately freeing.  

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