“Let the field exult, and all that is in it. Then all the trees of the forest will sing for joy.” (Psalm 96:12)
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Introduction:

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Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog,Theory of Iconic Realism to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Announcements

I will present or have presented research on Sydney Owenson (Lady Morgan) or my semiotic theory of iconic realism at the following location(s):

2023-2025: I will be researching and writing my third book on iconic realism.

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

11 August, 2024

"Clair de Lune" by Claude Debussy, A Deleted Segment of Walt Disney's 1940 film, "Fantasia"



Click below to view the film clip: 

I came upon this beautiful interpretation of "Clair de Lune" by Claude Debussy, deleted from the final version of the Disney classic film, Fantasia. A visual and aural illustration of life's circularity, this film depicts innovation in the art of filmmaking for the time in which the artists and musicians collaborated to create this film. The love expressed in this one scene makes my heart sing. Moreover, I really love the blue tones in the scene above, for they remind me of the very early morning, right before sunrise, when the flora and fauna all contain shades of blue.  

Below is the opening recitative from my operetta, Luminescence, an interpretation of the 13th century poem, Roman de la Rose. It also focuses on the moon as it relinquishes its light to the sun:

The moon, known as Lunula, emits a soft, silver glow onto the indigo and deep green foliage where life renews in the created shadows of the garden’s crevices. Then, she silently dismisses darkness from the fertile land. As daybreak slowly creates an elusive blush, Lunula moves aside to allow her eminence, the sun, its splendid glow in the dawning light. Knowing that her radiance is dependent on the reflection of the sun, Lunula illuminates this shaded, overgrown venue with dignity and grace, providing inspiration for the precious life over which her luminescence humbly drifts. 

© Jeanne I. Lakatos