“Let the field exult, and all that is in it. Then all the trees of the forest will sing for joy.” (Psalm 96:12)
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Introduction:

My photo
Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog,Theory of Iconic Realism to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Announcements

I will present or have presented research on Sydney Owenson (Lady Morgan) or my semiotic theory of iconic realism at the following location(s):

2023-2025: I will be researching and writing my third book on iconic realism.

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

09 September, 2024

Phonology



I took this photo of Sydney Owenson's plaque on Kildare Street in Dublin a few years ago.

On the topic of phonology or phonetics, the study of the way humans combine sounds to create linguistic patterns, I give you a brief excerpt from my book: Innovations in Rhetoric in the Writing of Sydney Swenson (Lady Morgan, 1781-1859) and below that, a poem I wrote entitled, Cognizance. Enjoy! 

Steven Pinker discusses the impact of phonology and semantics as individuals experience sensory connections in their formation of new concepts:    

The phonemes and syllables in a word contact their counterparts in memory piecemeal, more and more of them finding a match as the milliseconds tick by. As soon as all the pieces match some entry, the irregular form linked to the entry is fetched and shunted to the vocal tract. While the lookup is in progress, the inhibitory signal sent to the rule box gets stronger and stronger, and when all goes well, the rule is braked to a halt. [1]

At this point, the individual synapses in the brain connect the familiar sound with a specific memory. 



[1] Steven Pinker, Words and Rules: The Ingredients of Language, (New York: Harper, 2011), p. 130.

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Cognizance (Alliterative Antics)

Jung's is collective
containing collaborative
but chaotic compositions
carefully calculated
to create clear cut
caricatures of cranial
cacophonies in crazy
and occasionally corny
creatures who care
about causes and effects.

But mine is coincidental, 
caught between 
casual and coiffure
occasionally quaint,
consistent and tranquil
cautious,  concerned
a creatively concocted 
course of action, 
convoking acquaintances
to collaborate and affect.

© Jeanne I. Lakatos

(My reading of this poem is on Pod-omatic at the bottom of this page.)