© Dr. Jeanne I. Lakatos, Ph.D.
"Let all your things be done in Love." (1 Corinthians 16:14)
Introduction:
- Dr. Jeanne Iris
- Current: Danbury, CT, United States
- Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog,Theory of Iconic Realism to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!
Announcements
13 December, 2025
Memorial of Saint Lucia (Lucy): December 13
08 December, 2025
The Solemnity of the Immaculate Conception
Immaculate Conception
by Jusepe de Ribera, 1635
Many people misunderstand the term, Immaculate Conception, thinking that because this term has been associated with Jesus' mother, Mary, and the Virgin birth, that because He was conceived by the Holy Spirit, that became the immaculate conception. However, those individuals would be wrong.
Mary was born with her soul in an immaculate state in order to give birth to the Son of God.
30 November, 2025
Winter's Winds Conquered
Winter's Winds Conquered
27 November, 2025
Happy Thanksgiving! (Click the photo to hear a lovely medley of Thanksgiving Hymns.)
24 November, 2025
Be Leaf - Belief
23 November, 2025
Sydney Owenson: Rituals and Political Reality through Saint Mary Magdalene in Her Narrative, 'Saint Clair'
pp. 208-209:
As Sydney Owenson interweaves the blind devotion to rituals of Catholics with those of the French Revolution, she carefully demonstrates the affiliation of church and state, contrary to legislative decrees in the British Act of Union 1801, which states that those of a particular religious affiliation would not be permitted to hold public office. Thus, those jurisdictions, which primarily consist of Catholic citizens, would not receive representation within the governmental forums and subsequently, would not receive legislation in their favor. Owenson presents this conflicting belief system by cleverly choosing Mary Magdalene, the woman chosen by a few selected medieval scribes to be represented historically as a woman scorned, yet in Owenson's narrative, St. Clair, Mary Magdalene is the source of a worshipped relic. In her revolutionary, albeit romantic, style, Owenson challenges her aristocratic audience to reconsider its dependence on ritualistic prejudice against the population it wishes to control.
Owenson concludes this passage with a reference to a rose, her personal symbol for Ireland. She uses the adjectives, ‘faded, with a tear of genius and sensibility,’ to describe this weathered bloom. This incongruous set of descriptions for a flower held as a ‘sacred vial’ indicates a conflicted perspective. In the following sentence, she reveals with more clarity her conflict, “I confess in one sense but certainly more disinterested in another.” If Owenson attempts to confess to her reading audience her own disinterest in the viability of questionable sacredness in religious relics, she does so by linking her beloved countrymen and women with the possibilities of becoming more conscious of their political reality through their symbolic treasures, such as the weathered rose as the symbol of ancient luster.





