"Let all your things be done in Love." (1 Corinthians 16:14)
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Introduction:

My photo
Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog,Theory of Iconic Realism to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Announcements

I will present or have presented research on Sydney Owenson (Lady Morgan) or my semiotic theory of iconic realism at the following location(s):

2026: I will be researching and writing my third book on iconic realism.

November 2025: New England Regional Conference for Irish Studies, Massachusetts College of Liberal Arts, "Sociolinguistic Evidence in James Joyce’s Ulysses: The Use of Language to Express the Semiotic Theory of Iconic Realism"

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

21 July, 2026

My Hands, a poem

 "And let the beauty of the Lord our God be upon us: and establish thou the work of our hands upon us; yea, the work of our hands establish thou it." (Psalm 90:17)

Below is a poem with the theme of my use of hands, 
which some may think is archaic in this current era of technology:

Harp and me, one afternoon

My Hands

Turning 
weathered pages of a centuries old book,
my fingers touch a piece of history,
for this page was once turned by the fingertips
of a lady sitting by candlelight on a blue velvet chair,
her linen dress, flowing around covered ankles.
Strumming 
the strings of a vibrating harp, melodic echoes, soothe
the mind of my precious dog who lives to protect me
love me, comfort me. It's the least I can do for her.
Kneading 
dough that clings to each finger until I apply 
one more dash of flour to create 
the soft ball that will miraculously rise
to form into the sweet, aromatic sustenance of life: 
bread, feeding others with joy.
Threading 
a needle with just the right length and color 
of waxed cotton,
slowly I turn remnant pieces of cloth
into a quilted memory to comfort 
through the warmth of artistry and pragmatism.
Digging 
into rich, brown soil, I plant a seed
water, nurture, protect until one day it grows
into a savory food, the source of a satisfied smile.
Holding 
an extended hand, I feel the presence
of tender strength, our fingertips, touching,
Loving 
 brushing the tear from a dear one's eye
fond memory of the gentleness.
Praying
palm against palm, I sing a song of praise.
Humbly, I give thanks to Him,
Knowing 
His Love is undying, strengthening, 
guiding each step to fulfillment of 
His Purpose for me:
Living 
from heart to hand.

© Jeanne I. Lakatos


(To hear my reading of this poem on Pod-omatic, click HERE.)

20 July, 2026

Dusk

Below, I have written a poem based on a photograph, as an example of Ekphrasis.
My photograph is of the beautiful East Lake in Danbury, Connecticut, at sunset, just before dusk. This lake has a very similar appearance to Walden Pond in Massachusetts. I took this photograph when the lake was full. 
East Lake, Danbury, Connecticut.

Dusk
Indigo pond
reflects
a hopeful, graying sky
shades of peach and blue
intermingle 
with soft, fleecy clouds
framing the Peace and Love
that harken my heart 
dreaming
 of possibilities...
Dusk.

© Jeanne I. Lakatos

To hear me recite this verse, please click HERE. 


19 July, 2026

Frontal Acumen

photo taken by me in Danbury, Connecticut, U.S.A.

In a recent year, we had an extraordinary weather pattern here in Connecticut. As a front rapidly moved through the area, the skies filled with color, then torrential downpours, then sun and warm temperatures. Then, we were back in the freezing zone with snow predicted. As Mark Twain commented once, "if you don't like the weather in New England, just wait a few minutes." Okay, that's the weather report. What does this all mean philosophically?  

Human consciousness continually evolves, and as we move through our daily activities, nuances affect us in ways that sometimes we don't even realize until other events bring these subtle revelations into focus, providing clarity and introspection.


Frontal Acumen
Such grandeur surges
in a moment of wonder: 
guiding, hoping, gusting, 
winds envelop 
swirling reality 
shaking dreams loose,  
sparking an idea 
with divine Authority. 

© Jeanne I. Lakatos

18 July, 2026

The Mill

Long ago, a friend told me about this beautiful mill, located in Floyd County, Virginia. I found a picture of it in a history book and saw the serene beauty of this sight, so I took out my oil paints and painted my own version of the mill: Mabry Mill is its name. Below are two photos. One is a photo from Google Images. The other is my painting of the lovely Mabry Mill in Floyd County, Virginia. The poem revolves around this stalwart mill.

The 'melodious Lark' in the poem refers to Ralph Vaughn Williams' masterpiece, The Lark Ascending. You can hear the lovely melody if you click HERE. 

Photo of Mabry Mill, Virginia
 from Google Images
 
My painting of Mabry Mill, Virginia
                                             

The Mill

Quietly and peaceful
 The Mill does stand
In harmony with God's land,
and in its tranquil solitude
the melodious Lark 
sings its sweet etude. 
All the while, 
the Mill in steady repose sings: 

"I'll be here
as long as the wind does carry
His song through the realms of time. 
I'll be here for you ~ 
My love will ne'er weary
for your spirit 
inspires
my Joy. 

© Jeanne I. Lakatos


(To hear my reading of this poem on Pod-omatic, click HERE.)

17 July, 2026

Acts of Love

 

The Great Smoky Mountains, North Carolina 
(photo from DuckDuckGo Images)

This poem stems from a prayer I learned as a young child: 

The Act of LoveO my God, I love thee above all things, with my whole heart and soul, because thou art all good and worthy of all my love. I love my neighbor as myself for the love of thee. I forgive all who have injured me and I ask pardon of all whom I have injured. Through Christ our Lord, Amen.

Acts of Love

Someone over there
might reach out to me,
might need my comfort, 
my trust, my love. 

The Lord will provide 
Blessed moments to enfold 
a Joy fulfilled
 with the one over there. 

First, I will pray,
then gently step forward,  
lifting the heart 
of the one over there. 

I accept all that God provides,
 share what the Son confides
do what the Spirit guides:
righteous Acts of Love.

© Jeanne I. Lakatos

16 July, 2026

Face of Renaissance

 

This image of Jesus is in a tree in my front garden.


Face of Renaissance

See the insolence gently float away.

Turn and decide on Godly Good.

Replace worldly ambitions

with the guiding hand of Love.

A world changes to see His face

in all the energy and intricacy 

associated with the simplicity

of renaissance. 


© Jeanne I. Lakatos


To hear me recite this, please click HERE.

15 July, 2026

Your Smile - Votre Sourire



       
                                  This is a little patisserie in Rheims, France, 
                     where I had a lovely cup of coffee and an almond croissant. 


Your Smile                                                       Votre Sourire

I am alone                                                         Je suis seul.
but I am not lonely,                                         mais je n'ai pas de solitude,
for I have your smile                                       parce que j'ai votre sourire
in my heart.                                                      dans mon coeur.
Your love flows through me                          Votre amour, le courant a traversé moi 
with delightful enthusiasm                            avec l'enthusiasme ravissant,
as a cup of warm tea                                        comme une tassede thé chaud
in a French cafe                                                dans le restaurant du café en français
on a rainy day                                                   sur un jour de pluvieux
brings solace                                                     effectuer la consolation
and quiet laughter                                            et rire de calme
to my soul.                                                         a mon âme.

© Jeanne I. Lakatos                                       © Jeanne I. Lakatos

(To hear my reading of this poem on Pod-omatic in English and en Francais, click HERE.


Arachnid's Aim

 Once, I observed a lovely spider, busily spinning her web, and I proceeded to write the poem below. 


A spider's web suspended from my deck

Arachnid's Aim

One by One by One by One by One by One by One by One,
she extends her reach into the world, 
Glad that she yet retains eight strong, healthy appendages. 
Her sisters' are damaged, maimed, broken, or lost, 
but hers are vibrant, able to take her
to any destination she beholds as sacred. 

Now, she extends her reach into the world.
Carefully, gracefully, she moves along this space,
arranging each extension in its proper place, 
allowing a Hopeful Touch to capture the attention
of one who will see her radiance
and share her iridescence with lasting, hopeful bliss.

© Jeanne I. Lakatos


You can hear me recite this verse by clicking the link HERE.

14 July, 2026

Happy Bastille Day!

 Happy Bastille Day!

Photo of Fontaine Subé, Reims, France



13 July, 2026

Sydney Owenson (Lady Morgan): 19th Century Awareness of Cultural Change

           
I took this photo of Sydney Owenson's memorial plaque on Kildare Street, Dublin, Ireland.


From pages 17-18 of my book: 

Revolutionary philosophy of the sixteenth through nineteenth centuries provides momentum for the transformation of consciousness, circuitous pathways of innovation and circularity within societal parameters, creating awareness of cultural change, often through literary articulation. 

During the long eighteenth century, Sydney Owenson constructs her national tales by configuring lexical combinations of Irish, English and European colloquialisms, drawing upon the historical and philosophical perceptions of René Descartes and Immanuel Kant to transform her romantic tales into narratives of political inquiry. 

Her voice maintains a necessary fortitude in terms of her unique perspective, placing Irish ideology into the center of English culture at the onset of the Ascendancy, while she illustrates foresight in challenging the political stance of the United Kingdom in the early decades of the nineteenth century.

Ha' Penny Bridge, Dublin, Ireland

12 July, 2026

The Wild Irish Girl: a national tale, written by Sydney Owenson (Lady Morgan)

The Wild Irish Girl by Sydney Owenson (Lady Morgan) and image from book
1888 edition from my collection

In her novel, The Wild Irish Girl, Sydney Owenson (Lady Morgan) introduces the ‘national tale’ and exquisitely moves the reader through a traditional, romantic legacy in the epistolary genre of literary style. Moreover, she employs the extensive use of explanatory sidebars to enlighten her readers of historical insights, such as the unjust penal codes within the Act of Union 1801. 

In addition, she unifies the reader with her cause, that of representing the Irish 'wild' or natural viewpoint of the English aristocracy with her unique voice, illustrating that similar passions faced by women also reflect the power struggle within the intellectual, Romantic era. Thus, her choice of the term, 'wild,' is deliberately freeing.  

© Jeanne I. Lakatos

11 July, 2026

A Gathering of Souls

A Gathering of Souls

Friendship bound by a common thread

nourished with Eternal Bread

of kindness, love, and stories shared

revealing truth to one who cared.

These are the Blessings we unfold,

as youthful dreams become 'days of old'

and gatherings are more carefully planned,

honoring love as a theme so grand. 

Refrain from giving confusion reign!

A shivering soul has warmth to gain, 

I pick up my needle with colorful thread

  Repair the tattered.  

Share the Bread. 


© Jeanne I. Lakatos


(To hear my reading of this poem on Pod-omatic, click HERE.)

10 July, 2026

Imre Madach's "The Tragedy of Man," Revolution and Knowledge


Photo: Illustration from website: http://www.wga.hu/html/z/zichy/index.html 

In The Tragedy of Man (1860), Hungarian playwright, Imre Madach, reveals the inherent spirit within humanity to resolve differences through knowledge. This play, consisting of fifteen scenes, depicts the first couple, Adam and Eve, in paradise whereby Eve questions the validity of the Lord’s request to deprive the couple of all knowledge. In her exchange with Lucifer in Scene II, she philosophizes:

Why should he punish? For if he hath fixed
The way that he would have us follow, so
He hath ordained it, that no sinful lure
Should draw us otherwhere; why hath he set
The path athwart a giddy yawning gulf
To doom us to destruction? If, likewise,
Sin hath a place in the eternal plan,
As storm amid the days of sunlit warmth,
Who would the angry storm more guilty deem
Than the life-giving brightness of the sun? (Scene II)

After leaving the garden of Eden for tasting of the fruit of the Tree of Knowledge, Adam and Eve fall asleep in their new home and experience a number of historical events to become aware of the many ways humanity has grown into self knowledge, beginning in Egypt, where the couple learns of personal glory. Adam then longs to learn of humanity’s struggle for the good of nation, through experiences in ancient Athens, Greece. They discover hedonism in ancient Rome, Christianity in the form of knighthood of the middle ages, where he also discovers medieval fanaticism. This leads to his search for sense in the sphere of Johannes Kepler. However, in the world of Emperor Rudolph, Adam moves on to the French Revolution, where he encounters the deceit of Danton and the ultimate failure in humankind’s ability to execute a lasting revolution. He becomes disenchanted with humanity at the London Fair. In the final scene, Eve tells Adam of the upcoming birth of their second child. She foreshadows:

If God so will, a second shall be born
In sorrow, who shall wash them both away
And bring upon this wide world, brotherhood.

Well, we all know what happened with that relationship, so Imre Madach, who places the burden of man’s struggle at the hands of the woman, also illustrates that humanity has within its grasp the ability to seize control over its destiny as the heavenly choir of angels sings:

…Yet in the glory of thy road,
Let not the thought thee blind
That what thou dost in praise of God
Is wrought of human mind.
Think not the Lord hath need of thee
His purpose to fulfill,
And thou receivest from Him grace,
If thou mayest work His will.

The Lord responds: O Man, strive on, strive on, have faith; and trust! (Scene XV)

Therefore, Imre Madach reveals, through the artistry of his writing, his intense belief that within its own consciousness, humanity has the ability to advance harmonic relevance from dissonant experience, for he presents Eve as the mother of humanity with the conviction that her children will move humanity forward in their quest for true knowledge. (Lakatos 2007)

09 July, 2026

Sweet Dreams (Codladh sámh)




Sweet Dreams (Codladh sámh)

Softly the trees sway
breezes steadily pulsating
plummeting my senses 
DEEP DEEp DEep Deep deep
into a serene, sensory 
serenade of sleep
slowly sifting
through sands of 
discernment
into a sea of dreams
where fantasy releases
the genesis 
of truth

© Jeanne I. Lakatos


(My reading of this poem is on Pod-omatic. Just click HERE.)

08 July, 2026

Alley Adventure

A memory of one of the many adventures my brother and I shared as children has come to mind. Stephen always discovered fascinating places, and I was the only sister who had the guts (or insanity) to go with him. This one was at our grandparents' house in an old section of Detroit, Michigan where each neighborhood had an alley.  Enjoy!

My grandparents' old house in Detroit, remodeled. 
You can see the tree in the background. Beyond that tree is the alley.

Alley Adventure
The Alley behind our grandparents' house
was intriguing to my brother and me.
The grown-ups didn’t want us to go there,
but he knew how to unlatch the back gate,
Sshhh…very quietly, so it wouldn’t squeak.
We tiptoed onto the graveled road.
A sweet yet acrid smell filled the air;
it was a strange, forbidden world.

This day, we discovered a horseshoe print,
embedded in a piece of hidden pavement,
shadowed by the tall grasses growing wild,
fighting for a piece of the dappled sunrays
that played upon the broken cement.
“Only one print,” Stephen whispered,
“Must be from Pegasus.”

Voices formed words in an unknown tongue
and floated from a large window of an old house
behind an unpainted wooden fence,
“Sssshhh!  Ghosts!” he  whispered.
I bent down to pick up a weapon,
a broken shard of brown glass
“This is a piece of magic glass, Jeanne,
from a land faraway… Put it down!
We don’t know what evil powers it might have.”

Reluctantly, I tossed the shard.
No magic today… no spilling of blood.
A quick run to the old wooden gate,
and we were back on Grandma’s garden path,
with freshly cut grass, wildflowers and roses,
our absence unnoticed, our memories enriched.

© Jeanne I. Lakatos