"Be anxious for nothing, but in everything by prayer and supplication with thanksgiving let your requests be made known to God." (Philippians 4:6)
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Introduction:

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Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog, "Theory of Iconic Realism" to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Announcements

I will present or have presented research on Sydney Owenson (Lady Morgan) or my semiotic theory of iconic realism at the following location(s):

2023-2024: I will be researching and writing my third book on iconic realism.

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

27 January, 2024

Sydney Owenson (Lady Morgan): 19th Century Awareness of Cultural Change

           

From pages 17-18 of my book: 

    Revolutionary philosophy of the sixteenth through nineteenth centuries provides momentum for the transformation of consciousness, circuitous pathways of innovation and circularity within societal parameters, creating awareness of cultural change, often through literary articulation. 

     During the long eighteenth century, Sydney Owenson constructs her national tales by configuring lexical combinations of Irish, English and European colloquialisms, drawing upon the historical and philosophical perceptions of René Descartes, John Locke, and Immanuel Kant to transform her romantic tales into narratives of political inquiry. 


     Her voice maintains a necessary fortitude in terms of her feminine perspective, placing Irish ideology into the center of English culture at the onset of the Ascendancy, while she illustrates foresight in challenging the political stance of the United Kingdom in the early decades of the nineteenth century.


Ha' Penny Bridge, Dublin, Ireland