“Let the field exult, and all that is in it. Then all the trees of the forest will sing for joy.” (Psalm 96:12)
Protected by Copyscape DMCA Copyright Protection

Introduction:

My photo
Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog,Theory of Iconic Realism to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

Announcements

I will present or have presented research on Sydney Owenson (Lady Morgan) or my semiotic theory of iconic realism at the following location(s):

2023-2025: I will be researching and writing my third book on iconic realism.

April 2022: American Conference for Irish Studies, virtual event: (This paper did not discuss Sydney Owenson.) "It’s in the Air: James Joyce’s Demonstration of Cognitive Dissonance through Iconic Realism in His Novel, Ulysses"

October, 2021: Sacred Heart University, Fairfield, CT: "Sydney Owenson’s use of sociolinguistics and iconic realism to defend marginalized communities in 19th century Ireland"

March, 2021: Lenoir-Rhyne University, Hickory, North Carolina: "Sydney Owenson (Lady Morgan): A Nineteenth Century Advocate for Positive Change through Creative Vision"

October, 2019: Elms College, Chicopee, Massachusetts: "A Declaration of Independence: Dissolving Sociolinguistic Borders in the Literature of Sydney Owenson (Lady Morgan)"

10 October, 2024

To Grandma

My Grandmother worked in the auto industry in Detroit, but she also had a special talent for baking Hungarian pastries, cakes, and of course, those great Hungarian dinners. She 'tried' to teach me how to create confectioner flowers, such as those she would make for the many wedding and birthday cakes that she created for people in the Detroit metropolitan area. The key words: she tried. I tried, too. Her patience with me was saintly.  

My Grandma, Anna


To Grandma

I feel your loving presence, 

my beautiful angel,

whenever I touch the petals of a rose, 

for your talented hands taught me

how to form each intricate petal

made from your famous sweet recipe.


No matter how many times I failed,

your tender words of comfort 

soothed my sorrow, my pain,

and through your beautiful eyes, 

I could see that sparkle of life

as you taught me what it was 

to love. 


© Jeanne I. Lakatos